Pre-Columbian Art
Handicrafts suffered a decline from the colonial period to the early years of the republic, but since the early 1930s interest in them has revived. Most notable are the growth in textile production and renewed activity in the manufacture of ceramics and pottery, chiefly in the municipalities of Ráquira, Espinal, and Malambo. Basket weaving, harness making, and passementerie (fancy edging or trimming on clothing or upholstery) are also popular.
The history and culture of Colombia's indigenous peoples are revealed in several museums of outstanding reputation. The Gold Museum in Bogotá possesses the world's finest and largest collection of worked gold, the product of extraordinarily skilled craftsmen, whereas the Bogotá Museum of Colonial Art has a rich collection of criollo (Creole) religious sculpture and painting. The National Museum displays treasures and relics dating from prehistoric times to the present and possesses various collections of Colombian painting and sculpture.
Popular traditions concerning manners and customs, music, legends, and food preparation continue in somewhat attenuated form in their places of origin. Perhaps the most deeply rooted folkloric form of expression is that of music. The tunes and melodies of the indigenous groups are sung only in limited geographic areas. The music of the mestizo can be divided into that of the Andes, the plains, and the Atlantic lowlands and the Pacific coast and include such genres as the bambuco, the cumbia, and the vallenato. Some musical forms of the colonial period also have survived.

The arts in Colombia are fostered and developed by conservatories and schools in several cities either in connection with the universities or independently and by the growing number of concert halls and galleries. Persons of middle income levels display considerable curiosity and the desire to be informed about contemporary artistic developments, and this same spirit is found among the artists themselves.

There is no distinct national school of art. The most outstanding Colombian artist is the painter and sculptor Fernando Botero, whose themes reach beyond regional tastes and temporal values to people worldwide. Numerous exhibitions in the 1990s exposed Botero's work to a broad international audience.
The Nobel Prize for Literature awarded to Gabriel García Márquez in 1982 provided recognition of a national literary tradition that Colombians believe constitutes a basic element of the national character, as they boast that more poets than soldiers have occupied the presidency. García Márquez is best known for his Cién años de soledad (1967; One Hundred Years of Solitude), a novel steeped in magic realism, chronicling a century of life in the fictional town of Macondo, which is seen as a microcosm of Colombian society. Many of his other works are also inspired by events in Colombian history and culture, yet their symbolism and significance extend to Latin America as a whole.